To what extent do performances of minority groups involve concessions and simplifications? In an analysis of two or three (2-3) performances, discuss how and why these compromises are made, and to what effect.

To what extent do performances of minority groups involve concessions and simplifications? In an analysis of two or three (2-3) performances, discuss how and why these compromises are made, and to what effect..

4)    
Can the political or social marginalization of performance practices provide increased opportunities for resistance? Discuss with reference to two or three (2-3) examples that use performance from the margins as a means of obtaining political or cultural agency.

5)    
To what extent do performances of minority groups involve concessions and simplifications?  In an analysis of two or three (2-3) performances, discuss how and why these compromises are made, and to what effect.

6) In what ways does commodification problematise cultural or intercultural performance projects? Discuss with reference to the marketisation of two or three (2-3) performances discussed in the module.

To what extent do performances of minority groups involve concessions and simplifications? In an analysis of two or three (2-3) performances, discuss how and why these compromises are made, and to what effect.